Issiaka Dembele is a deep rooted griot, and a visionary multi-instrumentalist from Burkina Faso. Mixing West African instruments, such as balafon and kora, with electronic sounds he creates an extraordinary musical identity. In Bambara language, Dji means water. The album is inspired by daily life and ecology. Dembele’s music speaks for social cohesion, love between humans without discrimination, and for peace. His songs invite us to appreciate traditional values and nature.

A griot is a guardian of African tradition and culture, especially the legacy of the Manding peoples, who are part of the rich heritage of the ancient Mali Empire. Griots preserve collective memory through music, singing, and storytelling, playing a vital role in passing down the history, values, and traditions of their community. With key roles as musicians, poets, and historians, griots are cultural pillars who bridge the past and the present, ensuring that the Manding and African legacy endures for future generations.

Issiaka Dembélé, born in 1989 in Bobo Dioulasso, Burkina Faso, comes from a renowned family of griots, the keepers of Mandé oral traditions. From the age of five, he accompanied his father to traditional ceremonies, where he developed a passion for the balafon, a key instrument in his culture. By 10, he was already recognized for his musical talent and began contributing melodies as a percussionist in the Benkadi association. Over the years, he mastered the balafon, kora, and N’goni, touring nationally and internationally with groups such as Kanouya and Farafina Yelemba.

Issiaka’s remarkable career includes performances at prestigious events like the 10th Summit of La Francophonie and multiple cultural festivals across Africa. He has also collaborated with contemporary artists in genres like rap and slam, blending traditional rhythms with modern sounds.

In addition to performing, Issiaka is a sought-after teacher of balafon and percussion. He leads workshops in Europe, Canada, and Burkina Faso, sharing his art with students from around the world. He also teaches at the French Cultural Center Henri Matisse in Bobo Dioulasso.

Driven by a commitment to preserving cultural heritage, Issiaka founded FABOLO (“The Father’s Hand”), a troupe of children he educates and mentors. Beyond training them in traditional music, he ensures their formal education, helping them become skilled musicians and responsible members of their community.